Bossert through April-Verlag), and drawing and writing poetry. In the 1960s, Anton Bruhin began organizing happenings and performances, creating sound works, designing and typesetting his own books (which he self-published with Hannes R. If the idea of recording birds came from Bruhin's friend, the Swiss painter Hans Krüsi (this was a common practice for the art brut master, who layered recordings of the many birds sharing his living space into primitive multi-track sonic sculptures), Bruhin is able to use the same material to create a cacophonic and distorted world of unrecognizable nature, all in one low-fidelity stroke. On the occasion of the 2015 exhibition Le Caselle di Anton Bruhin at the Istituto Svizzero di Roma in Milan, Alga Marghen presents the complete edition of Anton Bruhin's 1977 cycle Vogelsang/Vogelsong/Vogelsung/Vögelsäng. Also includes a 132-page book with the detailed chronology of all the Intersystems Presentations and 110 full-page images illustrating for the first time ever the story of this essential collective, as well as the following texts: "How the Mind Excursion came to be" by Michael Hayden, covering details on Intersystems Presentations and meetings with Andy Warhol, Lou Reed, John Cale, Timothy Leary, Richard Alpert, Ralph Metzner, John Cage, Robert Rauschenberg, and Allen Ginsberg "Intersystems" by John Mills-Cockell, introducing his sonic adventures from the early encounters with Ann Southam and Udo Kasemets to the accomplishment of the Intersystems multimedia works "Selected Poems" by Intersystems founding member Blake Parker "Notes" by Michael Hayden "Network" by Bart Schoales and John Mills-Cockell, on the early mixed-media Presentation of the same title and meeting with Jerry Rubin and Abbie Hoffman, founders of the Yippie movement "Intersystems" by Nick Storring, including a short introduction to Blake Parker as well as analysis of Intersystems' sonic productions in relation to their historical context "Radically Rethinking Art" by Dennis Reid, analyzing the chronology of Intersystems Presentations in relation to contemporary art "Intersystems and Allied" by Jack Boswell (founder of Allied Records) "Intersystems and Moog" by William Blakeney "Recalling Intersystems" by Tom Recchion "The 60s: something happened but what?" by Ed Fitzgerald "Memoir" by Russ Little, on John Mills-Cockell and "Notes on the mastering of Intersystems recordings" by William Blakeney.
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Includes Number One Intersystems (1967), with the correct side sequence and (for the first time) the original tracks' sub-section divisions, in the original 1967 avant-press sleeve designed by Intersystems founding member Michael Hayden Peachy (1967), with (for the first time) the correct track separations, timings, and titles and Free Psychedelic Poster Inside (1968), with (for the first time) the original (double) track titles, in a silkscreened envelope reproducing the original 1968 sleeve. Remastered by Intersystems founding member John Mills-Cockell mastered for vinyl by Giuseppe Ielasi. and SF musicians got their start playing with Newcombe, including Peter Hayes of The Black Rebel Motorcycle Club.įirst historical edition! Three-LP box version. BJM has been essential in the development of the modern U.S. Since 1995, The Brian Jonestown Massacre has released numerous albums, first for Bomp! Records, the label which gave them their start, and later for TVT and Tee Pee. The Brian Jonestown Massacre is a psychedelic rock band originally from San Francisco, California, led by guitarist/singer Anton Newcombe.
This album offers a mix of the traditional Brian Jonestown Massacre sound with a more experimental and avant-garde approach.
This is the 13th full-length album from the Brian Jonestown Massacre released on Anton's label, A Recordings. Recorded in Liverpool and Reykjavik in August 2007 and completed in Reykjavik in October 2007. This is the first Brian Jonestown Massacre album in over four years, recorded with select members from the Brian Jonestown Massacre, Icelandic musicians, and Mark Gardener ( Ride).
2015 repress Gatefold 2LP version on 180 gram vinyl.